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MY OLD MAN

Arch, wry, and quip-ready characters can’t pump up a flaccid tale.

A rabbinical school dropout’s quarter-life passage is trip-wired with bombastic Boomers—in Naked City columnist Sohn’s overwrought second (after Run Catch Kiss, 1999).

Rachel decides to abort her career as a rabbi when a sick man she’s consoling dies critiquing her bedside manner. From there, it’s on to a new calling as bartender to a south Brooklyn gaggle of soulful misfits. Rachel’s lust life picks up when an actor friend introduces her to 48-and-holding cult filmmaker-turned-navel-gazing playwright Hank Powell. Although a super-goy, Hank could be Noel Airman to Rachel’s Marjorie Morningstar, except that Rach is no innocent and Hank’s only visible dramatic talent is crafting sexual scenarios. Perhaps our first-person protagonist should be excused for not noticing right away that Hank is a narcisso-sadist who wants only an inflatable doll, not a human, for a mate. After all, she must expend a considerable amount of energy peppering every page with double-entendres, wisecracks, and bons mots that often land with a thud (“She was the stink bomb of sex bombs”). Arguably worse, the Rachster’s mother has segued from consciousness-raising to menopause support groups seemingly overnight, and her 55-year-old father is doing the horizontal mambo with Rachel’s upstairs neighbor and former friend Liz. Rachel’s Oedipal dilemma is underscored when she has to decide whether or not to tell her mother (who must have missed American Beauty) why her paunchy unemployed father is suddenly doing sit-ups. Sohn’s Cobble Hill is so small an enclave that Rach can walk to her dress-to-order assignations with Hank and right into his boiler/bondage room—so insular a neighborhood, in fact, that the plot is powered largely by chance encounters, making the reader, along with Rachel, yearn to take the action off-borough. Slutwear, sex act-ronyms, and Boomer-bashing abound until Rachel wises up, Mom gets her power surge, and Dad’s comeuppance/epiphany narrowly escapes being an “Aw-w-w” ending.

Arch, wry, and quip-ready characters can’t pump up a flaccid tale.

Pub Date: Sept. 1, 2004

ISBN: 0-7432-3828-1

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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