In a story adapted from The Joy Luck Club, "Nai-nai" amuses her granddaughters with a story about her "earliest memory," an exciting day during the Moon Festival, when she was seven. "Ying-ying" longs to get a secret wish from the Moon Lady. Elegantly dressed in embroidered silk, she escapes her family's fine boat and her nursemaid and encounters the world outside her protected existence. Watching an old woman preparing eels, she gets spattered with blood; later, she falls into the lake, is rescued by a fisherman who mistakes her for a beggar, and discovers that the mysterious "Moon Lady" in the shadow theater is, in reality, an ugly old man. The Chinese setting comes vibrantly to life in Tan's warm narration, rich in detail and in sagacious—but unobtrusive—observations. Schields's art—large full pages plus decorative vignettes—sings with the bright color typical of Chinese picture books, while her lively line defines character and a multitude of authentic details. Despite the format, the long text will be enjoyed most by older children. (Fiction/Picture book. 7-10)
Pub Date: Sept. 30, 1992
ISBN: 0-02-788830-4
Page Count: 32
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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