The third volume in Wilson's ``Lampitt Papers'' sequence is just as engaging and entertaining as the first two (Incline Our Hearts and A Bottle in the Smoke). The entire work is proving to be a roman Ö fleuve of brilliant social and historical sweep—a high comedic romp through our times. This latest installment brings Julian Ramsay, now in his 40s, into the Sixties, when he's still working as a radio actor and fearing himself a failure. Julian and his cousin Felicity share a house in London, where she works as a civil servant, having abandoned academic philosophy. Through a series of coincidences, they both fall under the spell of one Rice Robey, a latter-day mystic and Blakean visionary who once wrote some novels under the name ``Albion Pugh.'' Pughie's mythic version of British Christianity—which is the subject of his long, tedious, prophetic poem-in-progress—captures the imagination of numerous young women (``Robey-maidens'') and not a few sober-minded literary types within Julian's circle of friends and acquaintances. Pughie is a protÇgÇ of Julian's role model—man-of-letters James Petworth Lampitt. But the eccentric Pugh's only published work these days are scurrilous bits of gossip in The Spark, a Private Eye-like magazine run by Julian's school-chum Miles Darnley. When Pughie publishes an attack on Lampitt's biographer, the randy and ambitious Raphael Hunter (who figures prominently in earlier volumes), Raphael successfully sues for libel—though the circumstances of Lampitt's death remain a mystery, perhaps to be solved in future installments. No matter where life takes Julian throughout these books, he always finds himself entangled with the Lampitts, the family with whom his uncle Roy has been obsessed since Julian's childhood. Admirable in its own right, this always enjoyable comedy of manners gains in meaning and significance when read in sequence—a trilogy (so far) of Balzacian dimensions and Amis-like wit.
Pub Date: Jan. 1, 1992
ISBN: 0-670-83959-0
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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