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HITLER

The author’s salty certainty both enlivens and diminishes his work.

The award-winning journalist, biographer and novelist offers a short, often-pugnacious biography of the Führer.

Wilson (Dante in Love, 2011, etc.)—who has written a novel about Hitler (Winnie and Wolf, 2008) and who in 2009 announced his return to the Christian faith he’d abandoned for atheism—finds in Hitler an avatar for a century that turned away from God and embraced Darwin. “He believed in a crude Darwinism,” writes the author, “as do nearly all scientists today, and as do almost all ‘sensible’ sociologists, political commentators and journalistic wiseacres.” Wilson concludes his otherwise sensible biography with the observation that Hitler was just like the rest of us—only more so. The author appears to attribute to atheists and “the liberal intelligentsia who control the West” most of the blame for World War II—and for the perils of today—though he never gets around to mentioning the wars and other horrors visited on people because of religion. His tendentiousness aside, he provides a useful, even entertaining, life of Hitler. He revisits the expected events—his rise, his incarceration, Mein Kampf, his vicious henchman, his anti-Semitism, his enormous prewar popularity (not just in Germany), his poor military judgment, his women, his fall and death—and adds some nasty details (he couldn’t control his farting; he was lazy and dressed oddly). He has few kind words for Churchill (crediting him with a “brutal mind”) and also takes some shots at Americans, noting that we named one climactic action the Battle of the Bulge because we didn’t bother to learn local place names. Wilson declares that Hitler’s greatest gift was his ability to dazzle and motivate crowds (and, of course, his mad ambition), and he traces our current fondness for political pageantry to the Nazis’ mass gatherings.

The author’s salty certainty both enlivens and diminishes his work.

Pub Date: April 1, 2012

ISBN: 978-0-465-03128-3

Page Count: 240

Publisher: Basic Books

Review Posted Online: Jan. 15, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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