Wilson (Jesus, 1992, etc.) turns his attention and considerable wit to the crisis of Britain's Royal Family—elevating the tabloid debate about Diana and Charles and the rest of the clan so that we see them as players in the possible collapse of the monarchy itself. When the queen was in her teens, Wilson says, ``it was decided that she should be instructed in the mysteries of the British constitution, and she was sent off to Sir Henry Marten, the Vice- Provost of Eton....'' Marten munched sugar cubes and taught Elizabeth II the ideas of the Victorian editor Walter Bagehot—who, Wilson explains, believed that ``the function of a constitutional monarch was to warn, to encourage, and to advise.'' It was Bagehot who also created the idea that the monarch was to exemplify Christian family life. Wilson contends that Elizabeth personifies this Victorian ideal: It's Prince Charles who's the problem. Not only is he—judging from his marital lapses—no moral pillar, but he is, claims Wilson, a pompous ninny (``He knows little and retains little of what he is told. Like many second-rate minds, he is fond of posturing and attitudinizing''), so blind to his responsibilities that—in a speech, in an apparent effort to seem original—he nearly scotched the crucial General Agreement on Tariffs and Trade negotiations of 1992 by disagreeing with his government's position. Wilson concludes that all of Elizabeth's heirs are hopeless; but, finding value in the monarchy itself, he proposes that the Windsors step aside in favor of a new line of monarchs to be headed by Richard, Duke of Gloucester, the quietly intelligent heir of King George V—an event that, Wilson admits, is unlikely to occur. A thinking person's irreverent, entertaining, and knowledgeable guide to the monarchy.
Pub Date: June 1, 1993
ISBN: 0-393-03607-3
Page Count: 240
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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