The prolific novelist and biographer, and well-known apostate from the Church of England, here records in fiction a similar loss of faith. More so than his previous novels (Daughters of Albion, etc.), this is very much of our times, and incorporates language and themes unusual for this once veddy proper Englishman. Francis Kreer, a middle-aged vicar in a small London suburb, seems the perfect clergyman: his theology is mainstream C of E, his family life is suitably dull, and he even brushes up his classics with a few friendly parishioners. But Francis's world comes tumbling down when his mother dies unexpectedly, having added a disturbing codicil to her will: She leaves a significant part of her sizable estate to a former lover. Suddenly, Francis indulges his worst thoughts and emotions. His twitty, girlish wife disgusts him, causing her to have panic attacks; he begins to neglect his beloved daughter; and, worst of all, career-wise, he no longer believes in God. The moment Francis begins to ``go funny,'' the parish begins to disintegrate. The obnoxious Low Church couple, the Spittles, raise their troublemaking to a new level when Mrs. Spittle publicly (and absurdly) accuses Francis of sexually accosting her. Francis's best friend from seminary is no help either—an effeminate Anglo-Catholic, he's already been sanctioned by the Archbishop for some public restroom exploits. Just as Francis's mania increases, a band of hippie wanderers set up camp nearby, and among the scruffy bunch Francis spots his salvation: a beautiful young violinist who dropped out of conservatory to bum around with her junky boyfriend. While Francis neglects parish duties and pursues the girl, his own daughter becomes a religious fanatic, hoping Jesus will restore her family. But things get only worse. By the end, Francis has gone completely bonkers. Certainly the darkest of Wilson's novels: a superb web of secrets and misunderstandings that ends with an affirmation—all the more powerful for being hard-earned.
Pub Date: Jan. 1, 1994
ISBN: 0-393-03610-3
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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