Deliberately excessive, Wilson’s latest lacks artistic coherence but does offer a feast for music lovers.
Winnie is Richard Wagner’s daughter-in-law; Wolf is Hitler. Their relationship is just one item in this fact/fiction hybrid, an appealing grab bag of impressions of the Bayreuth Festival, the Weimar Republic and much more.
There are three strands in the latest narrative from Wilson (Betjeman, 2006, etc.). The first dips into Wagner’s life while examining his major operas. The second is the relationship of Winnie and Wolf between 1923 and 1939. The third is the narrator’s story. N (no name vouchsafed) starts work as clerical assistant to Siegfried (Fidi) Wagner in Bayreuth in 1924. A young German with musician parents, he is quite bland beside the larger-than-life Fidi and his wife Winnie. Festival director Fidi was a flamboyant homosexual. Fearing scandal, his mother Cosima, Wagner’s widow, arranged his marriage to the teen orphan Winnie, and he surprisingly sired four children before his death in 1930, when Winnie became director. We see her through the eyes of the helplessly smitten N, a not altogether reliable narrator. Winnie is a bundle of contradictions, a fervent Nazi in love with Hitler, but a good-hearted woman who refuses to connect Hitler to his Jew-baiting street thugs. As for Hitler, N first sees him benevolently (he’s marvelous with the Wagner children); the scales fall from his eyes after he meets Helga, his Communist girlfriend. N conjectures the two were briefly lovers and had an unacknowledged love child; once married, he and Helga will adopt her. Wilson revels in contradictions, in Wagner’s work as well as in his protagonists, while celebrating Wagner as “a free creative spirit,” not shackled to any ideology. It’s a measure of the work’s idiosyncrasy that it’s not Wolf and Winnie but Richard and Cosima who, in the dying widow’s memory, enter the Wagnerian Venusberg, while Hitler’s greatest coup involves the set design for the opera Parsifal.
Deliberately excessive, Wilson’s latest lacks artistic coherence but does offer a feast for music lovers.Pub Date: Nov. 18, 2008
ISBN: 978-0-374-29096-2
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
