A young girl dreams of the day peace will come to contemporary Afghanistan, the war-torn country she loves.
Letting her imagination soar, a little girl looks to the sky and visualizes flying the “bright kite of peace” across Afghanistan into “people’s houses, their homes, their families, their hearts.” She sees her dream in children’s smiles and eyes, “a wonderful dream in which we all hold hands” and the “sound of war has truly gone forever.” She envisions a future filled with hope, opportunity and harmony. Speaking idealistically in the present tense, the little girl’s voice rings with compelling optimism, and her verbal images of the sky, kites, soaring and flying are visually reinforced in elegant, wistful illustrations that compositionally sweep the eye diagonally upward across the page from left to right. Somber, gray pencil drawings and tan backgrounds reflect the current bleak Afghan reality, while blue headscarves and red kites provide hopeful accents. Powerful images of dancing kites, ascending doves, women in burqas, a child playing with toys made from trash and flowers sprouting from tanks juxtapose the real and the aspirational. While topically relevant, the absence of historical, political or cultural context for the current Afghan crisis may leave young readers somewhat clueless. Ardent advocacy for Afghan peace. (Picture book. 5-7)
Pub Date: Oct. 1, 2012
ISBN: 978-84-15503-04-0
Page Count: 24
Publisher: Cuento de Luz
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
This reimagined telling has an engaging charm that rings true.
An imagining of an unlikely real-life episode in the life of absurdist Franz Kafka.
Theule follows the outline of the account: When Kafka meets an unhappy girl in a Berlin park in 1923 and learns her doll is lost, Kafka writes a series of letters from Soupsy, the doll, to Irma, the girl. The real letters and the girl’s identity have been lost to history; the invented letters describe a dazzling variety of adventures for Soupsy. Unfortunately, as the letters increase in excitement, Kafka’s health declines (he would die of tuberculosis in June 1924), and he must find a way to end Soupsy’s adventures in a positive way. In an author’s note, readers learn that Kafka chose to write that Soupsy was getting married. Theule instead opts to send the doll on an Antarctic expedition. Irma gets the message that she can do anything, and the final image shows her riding a camel, a copy of Metamorphosis peeking from a satchel. While kids may not care about Kafka, the short relationship between the writer and the little girl will keep their interest. Realizing that an adult can care so much about a child met in the park is empowering. The stylized illustrations, especially those set in the chilly Berlin fall, resemble woodcuts with a German expressionist look. The doll’s adventures look a little sweeter, with more red and blue added to the brown palette of the German scenes. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 23% of actual size.)
This reimagined telling has an engaging charm that rings true. (biographical note, bibliography) (Picture book. 5-7)Pub Date: March 9, 2021
ISBN: 978-0-593-11632-6
Page Count: 48
Publisher: Viking
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands...
Cavemen compare rocks, try to top each other, finally invent fun game.
“This Dave. / Dave love rock. / … / Dave’s rock bigger” than Jon’s rock. But “Jon’s rock faster” when thrown. Both pick up new rocks, with unsatisfactory results. Then Jon suggest both carve rocks into same round shape and Dave add hole in middle—make fine game tossing at upright stick! Jon and Dave go off arm in arm. Considering that Preston-Gannon starts the episode off with a quote from Mark Twain (“Name the greatest of all the inventors: accident”), the stilted language (carried over from Dave’s Cave, 2018) seems particularly affected, and the two light-skinned cave guys, with their Flintstones-style animal skins and shaggy manes (Dave’s, for some reason, is green) certainly are. Still, it’s salutary to see an escalating conflict resolved in an amicable, even creative way, and a bit of wordless byplay in which a set of forest creatures invent a wheeled scooter with the discarded game pieces adds a droll finish. The diagrams the animals draw in the dirt make an especially funny counterpoint to the dialogue.
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands readers who are patient with cavespeak. (Picture book. 5-7)Pub Date: Feb. 12, 2019
ISBN: 978-1-5362-0271-7
Page Count: 32
Publisher: Nosy Crow
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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