Despite awkward moments, the tale offers vivid descriptions, an intriguing plot and a setting not often seen in North...
In the early 17th century, two hauntingly plague-orphaned Portuguese siblings flee their village for Lisbon, only to encounter more vicissitudes before reaching a safer haven in Brazil.
Manu and Bento exhibit strong loyalty to each other, and they adhere faithfully to their Roman Catholic upbringing. For most of the story, 11-year-old Manu, a girl, poses as a boy for safety’s sake, a device that both furthers the plot and may help readers believe the siblings’ feminist, anti-racist and anti-slavery values that, however sympathetic, seem more in sync with 21st-century progressive values than those of their own time. The third-person narrative is mostly told from Manu’s point of view, but it also follows captured Africans—in grim, realistic detail—to their eventual relationships with Manu and Bento. When Bento falls in love with the African slave Rosa, and Manu befriends both the African slave Didi and the indigenous boy Caiubi, the siblings learn about quilombos—settlements of runaway slaves—and put their abolitionist values into action. In Springer’s translation, Machado’s story is sometimes hindered by stilted, patronizing or sentimental passages. Didactic interludes provide contextual information about such complex subjects as Portuguese/Brazilian history and the trans-Atlantic slave trade; these are augmented by a helpful editorial note and glossary.
Despite awkward moments, the tale offers vivid descriptions, an intriguing plot and a setting not often seen in North American literature for children. (Historical fiction. 10-13)Pub Date: Nov. 11, 2014
ISBN: 978-1-55498-455-8
Page Count: 152
Publisher: Groundwood
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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