An effervescent celebration of the best possibilities of urban multiculturalism. Readers will want to move right in.
A birthday party demands some pretty careful planning.
If you’re not careful, when your mother suggests that you invite a friend over for it, you might ask if your friend can bring someone (thinking of his “really cool brother”), plus some food. Your mom, distracted, will probably say, “Why not? Of course. Invite anyone you’d like.” So unless you’re careful, Jack will bring his cool brother, Larry, and they will bring two different kinds of coconut cookies. Beto and Antonieta will bring both their parrot and some tropical fruit. Fatima will bring her brother Djamel and their dog, along with tahini and pickled lemons. And so on. If you really lose control, the entire community will arrive, complete with salsa dancers and reggae band, and “your birthday party could turn out to be the craziest, wildest, funnest party ever.” Rio de Janeiro native Machado conjures a beguiling, joyful twist on the if-you-give-a-mouse-a-cookie scenario, constructing, guest by “carelessly” invited guest, a vibrant fiesta. Moreau’s acrylic-and–oil-pastel paintings complement the buoyant prose, populating the book with a cast of characters sporting a great variety of skin tones and hair colors, meticulously including their cod cakes, olives, sushi and more. Readers may well be inclined to emulate the drooling cat and dog under the jam-packed picnic table.
An effervescent celebration of the best possibilities of urban multiculturalism. Readers will want to move right in. (Picture book. 4-7)Pub Date: April 1, 2013
ISBN: 978-1-55498-168-7
Page Count: 32
Publisher: Groundwood
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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