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THE SILENCED CRY

ONE WOMAN’S DIARY OF A JOURNEY TO AFGHANISTAN

Evocative of a time and place, but events have rendered this dated.

A Spanish journalist’s day-by-day account of her experiences during the summer of 2000 among Afghan refugees in Pakistan, and of her daring venture into Afghanistan to learn more.

Tortajada was so moved by a refugee’s speech in Barcelona on the plight of Afghan women that she felt compelled to go there. Four months and many e-mails later, accompanied by a student and another journalist who had been similarly moved, she arrived in Pakistan intent on living among Afghan women refugees and experiencing their world. Her report covers the days between July 30 and August 18, 2000. Tortajada and her companions form close relationships with the Afghan women; this bond and the warm, hospitable spirit of the refugees living in privation are at the heart of Tortajada’s story. Visiting schools, orphanages, clinics, and workshops in Peshawar, listening to the stories of female refugees, and interviewing aid agency workers, the author and her comrades become determined to enter Afghanistan. They obtain visas from the Taliban consulate by pretending to be tourists interested only in sightseeing. Once in Kabul, they want to see how Afghan women are surviving under a regime that forbids them to hold jobs or attend school. The visitors find, however, they cannot leave their hotel unless accompanied by an official interpreter, who restricts what they can see. They manage to circumvent this restriction and, encased in the hated body-and-face-concealing burkha required by the Taliban, they visit underground schools for women and children, recording the courage they observe under the harshest of conditions. Tortajada’s account was published in Spain prior to the events of 9/11, and so it reflects the situation before the invasion of Afghanistan, the fall of the Taliban, and the return of millions of Afghan refugee to their homeland. While her exposure of the Taliban’s horrific treatment of women remains shocking, it’s not the revelation it was in mid-2001.

Evocative of a time and place, but events have rendered this dated.

Pub Date: Aug. 1, 2004

ISBN: 0-312-30351-3

Page Count: 272

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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