Roslund’s fourth has punchy prose and plot twists that readers expecting another brooding Scandinavian noir won’t see coming.
A veteran Swedish detective is forced to revisit the most disturbing case of his career.
After Detective Ewert Grens carried 5-year-old Zana Lilaj from the scene of her family’s massacre, he investigated the crime in vain, even with Zana as an eyewitness. Seventeen years later, DI Grens, who’s on the verge of retirement, can’t refuse the request of his abrasive boss, Mariana Hermansson, to investigate a burglary that's just occurred at the same address. His hopes that this is a coincidence are dashed when he discovers that his notes on the earlier crime have been stolen from the locked police archive. He soon determines that Zana’s life is in danger. Meanwhile, former police informant Piet Hoffmann revels in the domestic bliss of life with his wife, Zofia, and their three young children following his criminal past. All this is shattered when he sees his son Rasmus playing with a hand grenade that arrived in a package addressed to the boy. This unsubtle message is followed by even more literal and threatening ones. After Piet takes his family into hiding, he appeals to his old friend Grens. Although Roslund deftly brings the two cases together, readers hooked by the high stakes and urgency in the early chapters may be impatient with set pieces and narrow escapes that feel like smoke. When Grens finally locates Zana in a new location with a new identity, he’s in for a surprise that adds yet another wrinkle to the case.
Roslund’s fourth has punchy prose and plot twists that readers expecting another brooding Scandinavian noir won’t see coming.Pub Date: Jan. 19, 2021
ISBN: 978-0-593-18821-7
Page Count: 448
Publisher: Putnam
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.
A routine break-in at the home of Sûreté homicide chief Armand Gamache leads slowly but surely to the revelation of a potentially calamitous threat to all Québec.
At first it seems as if nothing at all triggered the burglar alarm at Gamache’s home in Three Pines; it was literally a false alarm. It’s not till he receives a package containing his summer jacket that Gamache realizes someone really did get into his house, choosing to steal exactly this one item and return it with a cryptic note referring to “some malady…water” and “Angelica stems.” Having already refused to meet with Jeanne Caron, chief of staff to Marcus Lauzon, a powerful politician who’s already taken vengeance on Gamache and his family for not expunging his child’s criminal record, Gamache now agrees to meet with Charles Langlois, a marine biologist with ties to Caron who confesses to a leading role in stealing Gamache’s jacket. Their meeting ends inconclusively for Gamache, who’s convinced that Langlois is hiding something weighty, and all too conclusively for Langlois, who’s killed by a hit-and-run driver as he leaves. The news that Langlois had been investigating a water supply near the abbey of Saint-Gilbert-Entre-les-Loups sends Gamache scurrying off to the abbey, where the plot steadily thickens until he’s led to ask how “an old recipe for Chartreuse” can possibly be connected to “a terrorist plot to poison Québec’s drinking water.” That’s a great question, and answering it will take the second half of this story, which spins ever more intricate connections among leading players that become deeply unsettling.
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.Pub Date: Oct. 29, 2024
ISBN: 9781250328137
Page Count: 432
Publisher: Minotaur
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
