Roslund and Hellström (Three Minutes, 2017, etc.) chill the bone with their account of a monstrous pedophile but fail to put...
A serial killer convicted of unthinkable crimes against little girls escapes during a prison transfer and wastes no time targeting his next nursery school victim in this novel first published in Sweden in 2004.
For veteran Detective Superintendent Ewert Grens, an oddball with little control over his anger impulse, having the monstrous Bernt Lund on the loose only ramps up his temper. But it's the quieter rage of Fredrik Steffansson, the father of Lund's latest victim, 5-year-old Marie, that poses a much greater threat. Taking the law into his own hands, he is determined to stop Lund from victimizing more girls. Are his efforts to prevent certain killings morally, and legally, defensible? Or is he no better than a murderer in assuming the power to take another person's life? Known for the social consciousness they bring to their thrillers, Roslund and Hellström depict a world riddled by abuse. The divorced Fredrik was viciously beaten as a boy by his father, as was his older brother, Frans, who threw himself in front of a moving train. For better and worse, this is no standard thriller in which the cops pursue the evil villain and take him down. A key scene is tossed off in matter-of-fact fashion. Grens figures surprisingly little in the narrative. While the co-authors can be admired for the risks they take, there's a nagging sense that we're reading highlights from a larger, more penetrating novel—one that comes to terms with their very nearly unreadable descriptions of Lund's savage acts.
Roslund and Hellström (Three Minutes, 2017, etc.) chill the bone with their account of a monstrous pedophile but fail to put the pieces of this ambitious thriller together in a fully satisfying or rewarding way.Pub Date: Dec. 5, 2017
ISBN: 978-1-68144-031-2
Page Count: 336
Publisher: Mobius
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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