A bit of Gallic foolery, just in time for cold season.
A small, witty portrait gallery of colds, originally composed in French for a pharmaceutical company’s ad campaign.
François opens by explaining that children are urged never to catch one, which is why there are so many when other ancient creatures like the “Dogter” and the “Jam-Eating Frog” have disappeared. He then portrays over a dozen types—from “Head Cold” and “Hay Fever Cold” to the massive “Big Bad Cold” and the diminutive (but, as the author notes, “You still have to go to school”) “Sniffles Cold.” Portrayed as just loosely brushed black silhouettes in the minimalistic illustrations, the various colds look for the most part like tailless dogs with ducklike bills and ingratiatingly angled heads. Appealing looks notwithstanding, however, the author goes on to solidify his message that it’s never a good idea to have one around by pointing out that they can be “complicated” (depicted on a psychoanalyst’s couch being interrogated by Sigmund Freud) and hard to get rid of. Despite its sponsor, the mildly cautionary theme proceeds to its conclusion without mention of medication.
A bit of Gallic foolery, just in time for cold season. (Picture book. 5-7)Pub Date: Dec. 15, 2012
ISBN: 978-1-56846-231-8
Page Count: 88
Publisher: Creative Editions/Creative Company
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
BOOK REVIEW
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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