Moving and insightful.
After an accident, a talented fencer in Virginia struggles to balance recovery and her dreams of becoming a champion.
Puerto Rican seventh grader Valentina Marí Camacho can’t wait to fence again. After she and Papi were in a serious motorbike accident, anticipating fencing again was the only way Vale endured doctors, surgeries, and “the complete rearranging / of [her] life.” But her return four months later is far from triumphant. Unpredictable flares of pain make previously effortless moves challenging, and even worse, Cuban American newcomer Myrka Marerro, who’s cued lesbian, has taken her place as top fencer. But, Vale explains, fencing is “what keeps me me.” If Vale’s not the best, who is she? Her parents have always pushed her to win. But now, Mami treats her like she’s fragile—though Papi insists she’s fine, causing arguments between her parents. Her older brother, Luis Manuel, suggests other hobbies, but Vale and fencing are inseparable. But pain—and Vale’s growing crush on Myrka—risk thwarting her plan to beat her rival. Vale’s vulnerable, angry free verse narration eschews overused disability storylines, intricately exploring issues including chronic pain, perfectionism, and parental expectations. Vale’s ambivalence about identifying as disabled is particularly well expressed. Her relationships with her family are realistically nuanced, and non-Spanish speakers will understand the occasional lines of Spanish dialogue through context. In her acknowledgments, Arango explains that she drew on her and her husband’s experiences with chronic pain when writing the story.
Moving and insightful. (author’s note) (Verse fiction. 10-13)Pub Date: Feb. 11, 2025
ISBN: 9780593810927
Page Count: 272
Publisher: Random House
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: today
BOOK REVIEW
BOOK REVIEW
This hopeful adventure leaves an indelible mark.
A rare disorder elicits fear in a young Black artist with a unique sense of the world.
Seventh grader Etta’s Quiet Days are becoming more frequent and, frankly, irritating since her “maybe-diagnosis” of Ménière’s disease in both her ears. Her parents are monitoring her diet, vigilant about stressors, and learning ASL. In contrast to Etta’s Loud Days, not being able to hear sometimes makes it easier to focus on her comic book about Invincible Girl (the novel includes some enticing panels featuring Etta’s work). But, as peculiar weather patterns begin to overwhelm her Chicago neighborhood and exacerbate her allergies, the corresponding tinnitus and vertigo as well as the increased anxiety from everyone around her leave Etta feeling hopeless. Even meeting Eleazar, an artsy new Colombian friend with an adorable goldendoodle, leads to doubts about her abilities to communicate—Eleazar is also still learning English—and her future with Ménière’s. When Eleazar’s dog gets lost on a magical train that is linked to the weird weather, the two must traverse the train cars, solve mysteries, and overcome their fears to fix what’s broken and heal what can’t be fixed. Just like the magical challenges, their journey yields great emotional rewards. Even as Etta and Eleazar make new connections, losses—of family, hearing, and home—are somber reminders of life’s challenges. With snappy narration that’s rich in sensory detail and metaphor, readers progress through well-paced storytelling that is ethereal and artfully inclusive.
This hopeful adventure leaves an indelible mark. (Fiction. 10-13)Pub Date: July 12, 2022
ISBN: 978-1-5344-6837-5
Page Count: 288
Publisher: Aladdin
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
A poignant and relevant retelling of a child immigrant’s struggle to recover from an accident and feel at home in America.
In the 1960s, Ruthie Mizrahi, a young Jewish Cuban immigrant to New York City, spends nearly a year observing her family and friends from her bed.
Before the accident, Ruthie’s chief goals are to graduate out of the “dumb class” for remedial students, to convince her parents to buy her go-go boots, and to play hopscotch with other kids in her Queens apartment building. But after Papi’s Oldsmobile is involved in a fatal multicar collision, Ruthie’s leg is severely broken. The doctor opts to immobilize both legs in a body cast that covers Ruthie from chest to toes. Bedridden and lonely, Ruthie knows she’s “lucky” to be alive, but she’s also “broken.” She begins collecting stories from her Jewban grandparents; her fellow young immigrant friends, Belgian Danielle and Indian Ramu; her “flower power” tutor, Joy; and her vibrant Mexican neighbor, Chicho, an artist who teaches her about Frida Kahlo. Ruthie also prays and writes letters to God, Shiva, and Kahlo, asking them for guidance, healing, and forgiveness. A cultural anthropologist and poet, the author based the book on her own childhood experiences, so it’s unsurprising that Ruthie’s story rings true. The language is lyrical and rich, the intersectionality—ethnicity, religion, class, gender—insightful, and the story remarkably engaging, even though it takes place primarily in the island of Ruthie’s bedroom.
A poignant and relevant retelling of a child immigrant’s struggle to recover from an accident and feel at home in America. (Historical fiction. 10-13)Pub Date: April 11, 2017
ISBN: 978-0-399-54644-0
Page Count: 256
Publisher: Nancy Paulsen Books
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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