Philosophical meditations graced by radiant prose.
An inquiry into transparency.
Making an impressive nonfiction debut, award-winning fiction writer Chapela brings the perspective of a poet to three lyric essays that probe the act of seeing and the challenge of communicating what is perceived. With a mother who is a mathematician, a father who’s a physicist, and a background in chemistry, the author is sensitive to the limits of both science and language to represent reality. “How can I write about science from outside it?” she asks. “How can I stop seeing through language, using it as a tool, pretending exactitude is possible in words?” In the scientific world, even though “each repeatable experiment and proven hypothesis brings us closer to some absolute truth,” Chapela believes that an experiment—like a painting or poem—“is a representation of reality that astonishes us.” Any representation of reality is conveyed in words, themselves not “solid” and “reliable” but malleable and contingent. The author investigates three forms—glass, mirrors, and light—that pose singular conundrums: Glass is not a solid, but neither is it a fluid. So what is it? “Even the most basic sources disagree,” she writes. Light “creates shadows” but “doesn’t cast them. Though it seems the most natural conclusion, it leaves me feeling unsettled.” Mirrors invite Chapela to think about the connection between selfhood and reflection. As she moves between her native Mexico and Madrid, where she travels on cultural grant, and between present and past, she draws on a host of provocative thinkers, including Galileo, Newton, Descartes, da Vinci, Niels Bohr, Marie Curie, and Richard Feynman, whose writings underscore the importance of metaphor in science and who validate her curiosity, uncertainty, and celebration of mystery. “It took me a long time to accept that writing helps me understand the questions,” she admits, “rather than nailing down the answers.”
Philosophical meditations graced by radiant prose.Pub Date: Oct. 11, 2022
ISBN: 978-1-63206-352-6
Page Count: 160
Publisher: Restless Books
Review Posted Online: July 29, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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