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THE YEAR OF THE FORTUNE COOKIE

From the Anna Wang series , Vol. 3

Similar in subject to the author’s Shanghai Messenger (2005) but different in approach, this is just right for middle-grade...

A two-week trip to China allows sixth-grader Anna Wang to reflect on her Asian-American identity.

At the end of The Year of the Baby (2013), Anna’s teacher, Ms. Sylvester, invited Anna to come with her to Beijing to help her take home an adopted Chinese baby. In this third title in the series, Anna does just that, leaving for an unfamiliar country almost before she’s adjusted to middle school. Anna’s journey provides an opportunity to consider the question “Who am I,” raised in her social studies class. Very aware of differences of skin and hair color, she appreciates that in China she doesn’t stand out. It’s a strain to speak a language she doesn’t know well, and she misses her family. Her narration clearly conveys the experience of foreign travel from a sixth-grade point of view; it’s light on famous sights and heavy on personal encounters. A friendly hotel waitress invites Anna to her family’s one-room home. She even gets to visit the Lucky Family Orphanage where her own sister once lived, bringing the money she and new middle school friends raised with a fortune-cookie bake sale and baby caps they knitted.

Similar in subject to the author’s Shanghai Messenger (2005) but different in approach, this is just right for middle-grade Anna fans ready for new experiences . (Fiction. 7-11)

Pub Date: May 6, 2014

ISBN: 978-0-544-10519-5

Page Count: 176

Publisher: HMH Books

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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