Serves up a delicious story, rich in culture and community, that will bring readers back for more.
A Cherokee community observes the beginning of spring with a feast.
As the nights get shorter, “the frost melts,” and “the dark clouds flee,” it’s time to get ready for a big meal. Everyone has a job to do. Mama puts the finishing touches on a basket, while Agilisi (Cherokee for Grandmother) sews a dress. Meanwhile, Daddy and Agiduda (Grandfather) are busy in the garage. The young child who narrates replenishes the henhouse with hay. Soon, family and community members head into the woods to forage for wild onions. The next day, they gather at the community center to prepare the meal. “Mama stirs and cooks. Agilisi tastes and seasons. Daddy kneads and shapes. Agiduda fries and turns.” Finally, Agilisi gives thanks to the Creator, and everybody enjoys corn soup, wild onions and eggs, and grape dumplings. Rogers (Cherokee Nation) imbues her text with warmth and playfulness; readers will smile when the narrator describes trimming wild onions as giving them haircuts. The pacing picks up in the kitchen scenes; word choice and the use of alliteration speak to the senses and heighten the excitement. Goodnight’s (Chickasaw Nation) gentle illustrations depict a supportive, tightknit community. Cherokee values—reciprocity, cooperation, respect, and kinship—are on full display. In an author’s note, Rogers reflects on the history of the Cherokee Nation and discusses the cultural significance of wild onion dinners.
Serves up a delicious story, rich in culture and community, that will bring readers back for more. (about food and recipes, glossary, a note from Heartdrum author-curator Cynthia Leitich-Smith) (Picture book. 4-8)Pub Date: May 7, 2024
ISBN: 9780063076792
Page Count: 40
Publisher: Heartdrum
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
Relatable guidance for nocturnal worriers.
Actor and author Greenfield’s latest picture book follows a child kept awake by anxieties.
The pajama-clad narrator huddles in bed among the blue shadows of a bedroom at night. “Every time I close my eyes, I’m afraid of all the scary stuff I see.” Bright, candy-hued clouds of cartoon images surround the child, lively, disruptive depictions of the what-ifs and exaggerated disasters that crowd out sleep: war (we see the world pop “into a piece of popcorn”), kidnapping (pirates carry away the child’s teddy bear), falling “up” into the sun, tarantulas in the toilet, and a menacing-looking dentist. These outsize insomnia inducers may help readers put their own unvoiced concerns into perspective; after all, what frightens one person might seem silly but understandable to another. Our narrator tries to replace the unsettling thoughts with happy ones—hugging a baby panda, being serenaded by a choir of doughnuts, and “all the people who love me holding hands and wearing every piece of clothing that they own.” But sleep is still elusive. Finally, remembering that there’s a difference between reality and an overactive imagination, the child relaxes a bit: “Right now, everything is okay. And so am I.” Reassuring, though not exactly sedate, this tale will spark daytime discussions about how difficult it can be to quiet unsettling thoughts. The child has dark hair and blue-tinged skin, reflecting the darkness of the bedroom.
Relatable guidance for nocturnal worriers. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9780593697894
Page Count: 32
Publisher: Putnam
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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