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SMALL ISLAND

An enthralling tour de force that animates a chapter in the history of empire. This is Levy’s fourth novel, but first U.S....

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
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  • National Book Critics Circle Finalist

The winner of the 2004 Whitbread Book of the Year Award and the 2004 Orange Prize—the first writer to win both for the same novel—draws on her Jamaican background in the alluring story of two couples, one Jamaican and one English, whose paths cross in WWII-era England.

The Jamaican Gilbert Joseph volunteers for the Royal Air Force, but life in England isn’t what he expected, with its tasteless boiled food and insidious racism. After the war, he returns to Jamaica but still hopes to study law in England, and when Hortense, a Jamaican teacher, offers him the money to travel to England if he’ll marry her, he agrees—only to discover, back in England, that he cannot study law and the best job he can find is as a postal-truck driver. When Hortense joins him six months later, she is not only shocked by his threadbare fifth-floor room but offended by the prejudice she encounters and discouraged when her Jamaican teacher’s credential is rejected. In the story of the adjustments these bright, well-educated and dignified immigrants must make, Gilbert’s earthiness offers a delicious counterpoint to Hortense’s prideful ambition. Other voices include that of the Josephs’ white landlady, Queenie Bligh, the daughter of a provincial butcher, and of her husband Bernard, an older bank clerk in India with the RAF. Queenie meets Gilbert during the war, when he once brings her wandering father-in-law back to her home. The father-in-law, shell-shocked in WWI, is killed by an MP during a brawl at the movies caused when Gilbert refuses to follow the “rules” that segregate the theater racially. When her husband Bernard doesn’t come home to their big London house after the war, Queenie takes in lodgers, including Gilbert and Hortense. The growing tensions among the three—and the disruption when Bernard returns at last—bring a spellbinding story to a surprising, heart-rending climax.

An enthralling tour de force that animates a chapter in the history of empire. This is Levy’s fourth novel, but first U.S. publication.

Pub Date: April 1, 2005

ISBN: 0-312-42467-1

Page Count: 448

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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