SEAL SONG

Name: SEAL SONG
Author: Andrea Spalding
ISBN: 978-1-55469-242-2

by Andrea Spalding & illustrated by Pascal Milelli ‧ RELEASE DATE: Oct. 1, 2011

Drawing on the long tradition of selkie tales, Spalding (Solomon's Tree, 2002, etc.) weaves a new story set in a Canadian...

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Finn, a fisherman's son, befriends a seal who becomes his selkie friend until she gives up her human life to rescue him in a storm.

Drawing on the long tradition of selkie tales, Spalding (Solomon's Tree, 2002, etc.) weaves a new story set in a Canadian community where salmon fishermen use nets. Finn works with his father, but he finds time to swim and play, and he longs to hear a seal sing. After he frees one from a net and nurses it back to health, she not only sings, she turns into a girl, Sheila, who can live on land and be his best friend—just as he had wished. All goes well until he ignores her advice and rows into a storm. Sheila sings once more and slips back into the ocean to save him, but when selkies enter saltwater, they turned back into seals. The magical elements of this friendship story seem believable in context, and the bittersweet ending is appropriate. Within the third-person narration are lyrical passages summing up important story elements. The text is set on or opposite Milelli's dark, expressive oil paintings, which focus mainly on the characters, giving only a rough idea of their surroundings.

Pub Date: Oct. 1, 2011

ISBN: 978-1-55469-242-2

Page Count: 32

Publisher: Orca

Review Posted Online: Aug. 30, 2011

Kirkus Reviews Issue: Sept. 15, 2011

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
DANCE OF THE STONES
by Andrea Spalding

- BOOK REVIEW
SOLOMON’S TREE
by Andrea Spalding & illustrated by Janet Wilson

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LITTLE DAYMOND LEARNS TO EARN

by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

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How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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CLAYMATES

by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

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Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)