A warming and gentle celebration of connection.
A group of children find commonality and togetherness through tea.
While a diverse group of grown-ups attend English as a second language class, young ones attend free child care next door. Like the adults, no one speaks English, and “all around the room, children played alone.” However, Luli, who is cued as Chinese, has a plan to get everyone to play together. Today, she’s brought a full tea set. When the table is set and Luli calls out in Chinese, “Chá,” “all around the room, heads popped up.” In a series of panels, children chime back in Russian, Hindi, Turkish, Persian, Arabic, Spanish, German, Swahili, and Portuguese. The word for tea sounds quite similar across languages, and soon enough each child grabs a seat at the table to share a warm cup of tea. Shy smiles lead to full hearts. Yum’s colored-pencil illustrations work alongside Wang’s simple, rhythmic text to highlight the concepts of uniqueness and similarity. Gentle, repeated refrains like “all around the room/table” and measured moments of tea cups passed back and forth create beats of unity and circularity. Languages are presented in their script with romanization/transliteration for pronunciation. Perspectives and layouts vary for a dynamic read and give space to each child and their individuality. Endpapers showcase teacup designs from the 10 countries highlighted; in an author’s note, Wang describes the childhood experience that inspired the book. (This book was reviewed digitally.)
A warming and gentle celebration of connection. (information on the countries depicted) (Picture book. 3-7)Pub Date: May 17, 2022
ISBN: 978-0-8234-4614-8
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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