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GODS OF THE STEPPE

Perhaps quality of expression is diminished in translation, but Gelasimov’s coming-of-age story grows old quickly.

During the final days of World War II, a 12-year-old boy dreams of becoming a soldier in this English translation of Russian author Gelasimov’s (The Lying Year, 2013, etc.) award-winning coming-of-age novel.

Petka is a precocious boy whose vivid imagination compensates for his reality. Shunned by many in Razgulyaevka for his illegitimacy, he’s a target for bullies and spends most days on the receiving end of his Granny Daria’s stick for his boisterous behavior. But to Petka, verbal and physical abuse is merely part of his normal day, and he shrugs it off while plotting boyish fun: caring for a wolf cub, lobbing cow patties at “enemy” targets, stowing away in a barrel to steal alcohol and befriending officers at a nearby POW camp. His one friend from the village is Valerka, a weak and sickly boy who deserts Petka whenever he’s allowed to join the bullies. While Petka engages in childish activities (which begin as mildly humorous but evolve into Dennis-the-Menace type antics that can best be described as idiotic), Japanese POW Miyanaga Hirotaro secretly writes a journal detailing his family history in hopes his sons in Nagasaki will someday read it. A man of honor descended from discredited samurais, Hirotaro’s often punished for alleged escape attempts when he leaves camp in search of herbs to minister to the wounded and ill. He tries to warn soldiers about the dangers of the nearby mine but is ridiculed for his efforts. On one of Hirotaro’s forays, he crosses paths with Petka, an encounter that’s fortuitous for the boy and painful for the prisoner. Hirotaro triggers a turning point in young Petka’s life: He begins to question actions, develop his own beliefs and take responsibility for the well-beings of others. Like his young protagonist, Gelasimov’s narrative launches with manic energy and quickly scatters in a thousand directions. Although fragmented prose may be representative of a young boy’s thought processes, the author fails to clearly connect events and characters and incorporate the elements into a credible, satisfactory conclusion.

Perhaps quality of expression is diminished in translation, but Gelasimov’s coming-of-age story grows old quickly.

Pub Date: Sept. 3, 2013

ISBN: 978-1-61109-073-4

Page Count: 316

Publisher: Amazon Crossing

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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