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THE EARTH AND SKY OF JACQUES DORME

As the Russian-born French author’s dual literary citizenship suggests, he may really be both his generation’s Chekhov and...

The attempt to record the star-crossed story of two lovers who meet on a WWII battlefield makes up Makine’s limpid eighth novel (following A Hero’s Daughter, 2003, etc.).

An unnamed narrator initially describes his own experiences growing up in a dilapidated Russian orphanage in the 1960s, when Nikita Khrushchev has been officially denounced and the narrator and his comrades ape their elders’ revisions of history by contriving “heroic myths” featuring their unknown fathers. The narrator is befriended by a French nurse who has spent many years in Russia and, from the nurse’s piecemeal fragments of memory, learns the history of the eponymous Jacques Dorme, a French fighter pilot who was captured and interred in a makeshift German POW camp, whence he escaped, made his way eastward, and joined a Russian bomber squadron—and briefly encountered the nurse (renamed Alexandra), to whom their “single week [together] had been a long life of love.” In the final section, the narrator travels to the village where Dorme grew up and confides to the pilot’s sole survivor his own conflicted wish to reshape as a novel his homage to lives destroyed by war, in an effort to assert and perhaps finally fully understand “their deep connection to what I am.” Makine handles this moving story’s tricky time shifts expertly, and—except for a handful too many romantic wartime clichés—creates satisfyingly complex images of a lonely boy dreaming his way into a fuller reality, a stranger in strange lands seeking comfort through human connection, and a courageous woman who knows exactly how much happiness she dares to expect. And nobody surpasses Makine as a maker of stunning visuals—such as the recurring memory of a snapped necklace, beads cascading onto a floor—which subtly underscore his narrative’s plangent romantic momentum.

As the Russian-born French author’s dual literary citizenship suggests, he may really be both his generation’s Chekhov and its Proust.

Pub Date: Feb. 1, 2005

ISBN: 1-55970-739-9

Page Count: 216

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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