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AUGUST, OCTOBER

This is a coming-of-age novel that can be captivating and possesses many strengths but an equal—perhaps greater—number of...

Fourteen-year-old Tomás’ life changes forever while on a beach vacation with his family in award-winning Spanish writer Barba's (Rain Over Madrid, 2014, etc.) newly translated novel.

This is a coming-of-age story, of sorts; Tomás finds himself estranged from his own rapidly changing body and from his family. Riddled with teen angst, he spends a great deal of time at the beginning of the novel feeling disillusioned with his parents, who, from his perspective, are “no longer bathed in the benevolent glow of childhood, no longer superior beings; they, too, had been strangely degraded somehow.” Tomás’ inner turmoil is familiar, certainly, but none of it makes him especially sympathetic—in fact, his perpetual bad attitude makes us long for him to just grow up already. Fortunately, our frustration is eventually offset by the relationship Tomás forms with four local boys from the poor part of town, or “forbidden territory.” The boys introduce Tomás to a world of casual sex that he finds simultaneously enticing and bizarrely repulsive. His struggle to balance his desire and revulsion—especially where one of the local girls is concerned—gives the novel a much-needed menacing edge that propels the story forward. Finally, on the night after Tomás’ aunt’s funeral, his new friends draw him into a whirl of drinking, drugs, and an act of unspeakable violence. The second part of the novel deals with the emotional aftermath of that night, as Tomás further isolates himself, keeping the events a secret, while his family grieves for his aunt. It's shorter than the first part and comparatively lighter. Tomás ultimately seeks redemption and finds it perhaps a little too quickly. We are left with the sense that, yes, bad things happen, but in the end, all is forgiven and life goes on.

This is a coming-of-age novel that can be captivating and possesses many strengths but an equal—perhaps greater—number of weaknesses.

Pub Date: Oct. 13, 2015

ISBN: 978-84-943658-1-2

Page Count: 152

Publisher: Hispabooks

Review Posted Online: July 13, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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