A dizzying, evanescent snapshot of Latin America in all its grime and glory.
The buoyant Neuman (The Things We Don't Do, 2015, etc.) takes readers on a phantasmagoric journey through Latin America.
Though this travelogue may not provide much substance for fellow travelers, it is nevertheless a virtuoso demonstration of writing on the fly. After winning one of the Spanish-speaking world’s most lauded awards, the Premio Alfaguara, Neuman was sent on a massive 19-country tour that took him from his home in Argentina to far-flung appearances across Latin America. The writing is clever, light, and self-aware in a way that most travelogues are not. “An assembly of vertigos, countries, readings, glances on the fly. Latin America in transit. Are you on board?” the writer asks. The translation by Lawrence is spot-on, but because the book dates to the author’s 2010 tour, many of the references are dated. At the time, Latin America was wracked by the H1N1 virus, and this pandemic is fundamental in Neuman’s account. “Am I fleeing the flu or following its trail?” he asks. There are also musings on the last days of Venezuela’s Hugo Chávez and observations on other Spanish writers, but for the most part, Neuman is present in the moment and highly observant, catching little details that might have escaped other writers. In Bogotá, he was told, “the devil is scarier here in Columbia than anywhere else.” Miami, conversely, is “a widespread, throbbing sensuality. A chromatic elasticity in the skin. A trace of the gym in every navel. Cars, sandals, money.” To read this book produces an electrically fleeting feeling, but it seems that for the author, that’s kind of the point. “The feeling of having left something someplace,” he writes toward the end. “That we leave something everywhere we go, in addition to taking something with us.”
A dizzying, evanescent snapshot of Latin America in all its grime and glory.Pub Date: Aug. 30, 2016
ISBN: 978-1-63206-055-6
Page Count: 224
Publisher: Restless Books
Review Posted Online: Aug. 21, 2016
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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