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THE SWEETWATER RUN

In a work subtitled ``The Story of Buffalo Bill Cody and the Pony Express,'' Glass (Folks Call Me Appleseed John, 1995, etc.) presents a well-researched, colorfully written, and dynamically illustrated fictional (some characters are invented, and historians are unsure whether Cody actually carried mail for the Pony Express) account of how 14-year-old Will Cody became the youngest rider, carrying the news of President Lincoln's election westward on a portion of the route along the North Platte and Sweetwater rivers in Wyoming Territory. The tale, told in the colloquial first-person narration of an older man reminiscing about the greatest adventure of his life, concludes with brief mentions of Cody's later exploits as Union Army scout, buffalo hunter, and showman. Scratch-textured oil paintings, with Glass's trademark purple shadows, are full of drama, rich color, and motion. He provides extensive notes; maps of the Pony Express route appear on the endpapers. This is a wonderful jumping-off point for further investigation of Cody's life and legend, the history of the Pony Express, westward expansion, Native American conflicts, decimation of the buffalo, or even California's teetering between the Union and the Confederacy before the Civil War. (Picture book. 7-11)

Pub Date: Oct. 1, 1996

ISBN: 0-385-32220-8

Page Count: 48

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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