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THE SLOWWORM'S SONG

A moving drama of trauma and recovery.

When a former soldier in the British Army receives a letter inviting him to testify before a Belfast tribunal about a fatal incident that happened 30 years ago, during his tour of duty in Northern Ireland, the reawakened past threatens to destroy not only his hard-won sobriety, but also his newfound—and equally delicate—reconnection with his adult daughter.

Stephen Rose, at the age of 51, has a precarious hold on a quiet existence in Somerset, England. A recovering alcoholic with a wrecked marriage behind him, he is sustained by the reappearance in his life of his daughter, Maggie; by his doctor; and by the unobtrusive support of his Quaker brethren. Stephen knows, however, “how fragile it all is, how we have nothing under our feet, nothing that can be depended on.” A letter requesting his appearance before a Belfast tribunal investigating crimes committed during the Troubles reminds him of this, prompting him to begin the epistle to Maggie that constitutes this moving and insightful narrative. “My head is so crammed with the past,” he writes, “I sometimes have to hang on to things...to stop myself sliding down into it.” Stephen doesn’t slide; he plummets back into the memory of a summer day in Belfast in 1982 when a house search by the British Army turned deadly. The novel’s evocation of that time and place is cinematically clear, and the narrative revolves around that single dread-filled moment. But Stephen’s daily life, in all its middle-aged dreariness and incidental sweetness, is just as sharply drawn, as is his sojourn in the rehab center that sets him on his unsteady feet again and heading back to Belfast. “For a minute or two time circled,” he observes of his first night there. “I was a fifty-something-year-old lying in the filtered air of the hotel room, and a twenty-something sprawled post-patrol on the black plastic of an army mattress.” This immensely skillful novel suspends the reader, too, in that mysterious midway state.

A moving drama of trauma and recovery.

Pub Date: Oct. 11, 2022

ISBN: 978-1-60945-800-3

Page Count: 320

Publisher: Europa Editions

Review Posted Online: July 7, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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