The history and thoroughly believable up-and-down career of an early Nazi fall victim to a strange ”what if?” anticlimax....
An early Brownshirt gets involved with Hitler’s niece and alters the course of history.
National Socialism’s lean days in the 1920s, when the party wasn’t yet just Hitler, provide the background for this debut from Newsweek International senior editor Nagorski, whose nonfiction The Birth of Freedom (1993) dealt with eastern Europe’s reemergence. Here, young Berliner Karl Naumann drifts away from the wreck of a household haunted by the death of his older brother in the Great War and by an abusive father. In the chaos wreaked by that war, the handsome and uneducated but intelligent youth is just confused enough to drift to the National Socialists, attracted by the party’s patriotism and dedication to the little man. Influenced by real-life party activists Otto and Gregor Strasser, Karl finds family feeling and a mission in the Free Corps, a paramilitary organization run by Otto that, as the S.A., would become part of Hitler’s organized thug troops. Karl is happy to leave Berlin and the scene of his young sexual frustrations in order to be closer to the heart of the party in Munich. There, in a city much more attractively German than polyglot Berlin, Karl becomes involved with Sabine, a pretty, nonpolitical nurse, and works his way from the fringes of the party to real activism as a Youth Corps leader. Hitler is very present, and Karl sees much of him, observing and sometimes falling victim to the future Führer’s magnetic oratory. But the oratory is less compelling than the attractions of Geli, the daughter of Hitler’s half-sister and a permanent attachment of the household. There are camping trips with the jugend and communist-bashing sessions with the S.A., but even though Karl marries Sabine, his heart is less and less in the party and more and more obsessed with the luscious Geli—as, it becomes obvious, is her creepy half-uncle.
The history and thoroughly believable up-and-down career of an early Nazi fall victim to a strange ”what if?” anticlimax. (For another fictional rendering of Hitler’s “love” affair with the gorgeous Geli, see Ron Hansen’s Hitler’s Niece, 1999.)Pub Date: Jan. 1, 2003
ISBN: 0-7432-3750-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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