An emphasis on questioning fate, societal rules, and traditions as well as the importance of wit and logic rather than brawn...
The princess is kidnapped, a kingdom imperiled, and the fate of West Stanhope’s throne rests on a trickster goblin’s riddles and a boy without a name.
In his debut novel, Chilton crafts a sharp and engaging fantasy world that, in the vein of William Steig’s Shrek! (1990), satirizes conventional fairy-tale themes while employing them to pen an original story. Set in a medieval era of knights and ladies, the story presents the standard fantasy tropes: the young hero of humble origins, the feisty princess and clever peasant girl (both are named Alice), dragons, goblins, ogres, hapless royalty, and a dastardly villain angling for the throne. A deft weaving of feudal and contemporary sensibilities (nobles own slaves, but the Earth’s circuit of the sun is common knowledge) distinguishes these characters from the herd. Part of the joy of this novel lies in watching the different character arcs interlock, like pieces to a jigsaw puzzle. While the boy is the "official" hero sent on the quest, Princess Alice and Plain Alice (who’s not so plain) are neither helpless maidens awaiting rescue, nor insignificant supporting characters. In fact, their shrewd observations drive the novel’s central premise that “not knowing means exploring and discovering.”
An emphasis on questioning fate, societal rules, and traditions as well as the importance of wit and logic rather than brawn renders this lighthearted adventure fresh. (Fantasy. 10-13)Pub Date: Jan. 19, 2016
ISBN: 978-0-553-52070-5
Page Count: 288
Publisher: Knopf
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
A half-baked jumble of poorly connected themes, incidents, and tropes.
Eleven-year-old Georgie sets out to the rescue after seeing his dad snatched into thin air by a hideous figure.
In a confusing debut that reads like a first draft, the kidnapping impels the young slingshot expert to go from doggedly enduring vicious bullying at school to intrepidly plunging after his father through a portal to Scatterplot, an otherworldly realm where the memories of everyone in New York are uploaded by omnilingual Scribes. Classmates Apurva Aluwhalia (who’s cued South Asian) and Roscoe Harris (who reads Black and is confined to a role that’s largely limited to comic relief), each motivated by their own concerns, follow white-presenting Georgie on his adventure. In Scatterplot, they must remain alert for the “tribe” of “bad people” called Altercockers, formed by the exiled Rollie D. Meanwhile, Flint Eldritch, the menacing figure who was responsible for Georgie’s father’s disappearance, is bent on using the Aetherquill, a magical pen that can rewrite reality in unpredictable ways, to replace all those recorded memories with fake ones. In a story that’s marred by stilted dialogue, flat characterization, and awkward turns of phrase, Georgie and his friends, along with Scatterplot siblings Edie and Ore, embark on a quest to save both his father and the entire realm. The puss-oozing, misshapen villain Flint, crawling with bugs, does at least provide a memorably lurid element of horror. The novel ends with an abrupt cliffhanger.
A half-baked jumble of poorly connected themes, incidents, and tropes. (Fantasy. 10-13)Pub Date: Feb. 4, 2025
ISBN: 9798886453164
Page Count: 320
Publisher: Greenleaf Book Group Press
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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