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GREY BEES

A gentle story of survival in a war-scarred land.

A Ukrainian beekeeper strives in the face of hardship to make the most of his simple life.

Until it was thrust into the headlines by Russia’s invasion in February 2022, Ukraine was far from the minds of most Western readers. Through the story of Sergey Sergeyich, a divorced, disabled Ukrainian mine safety inspector and passionate beekeeper, Kurkov transforms the abstractions of geopolitics into an intensely human account of compassion and persistence. Along with Pashka, his lifelong frenemy, Sergeyich is one of the two remaining inhabitants of Little Starhorodivka, a village in Ukraine’s “Grey Zone”—the front line between the nation’s troops and pro-Russian separatists in the Donbas region. The village, so small it has only two main streets whose names Sergeyich decides to reverse in a moment of whimsy, has been without electricity for three years. Through a harsh winter, as the sounds of distant shelling periodically shatter the silence, Sergeyich survives on a diet of buckwheat, millet, and the occasional egg, heating his home with a coal-fired potbelly stove and lighting it with candles scavenged from the ruins of the village’s bombed-out church. Pashka has secured for himself a marginally more comfortable lifestyle due to his friendship with the separatist forces. With the onset of warmer weather, Sergeyich impulsively decamps with his six beehives on an odyssey across a war-ravaged landscape that will eventually bring him to the Crimean home of Akhtem, a Tatar beekeeper he met at a convention years earlier. But when he arrives, he finds himself more connected to Akhtem’s family than he ever anticipated, in the process discovering a common humanity that transcends borders and faiths. Kurkov’s prose is as unassuming as his characters. In his portrayal, Sergeyich is an Everyman embroiled against his will in “a war in which he [has] taken no part.” The humble pleasure he derives from tending to his bees and his determination simply to endure another difficult day make for a subtly inspirational tale.

A gentle story of survival in a war-scarred land.

Pub Date: April 19, 2022

ISBN: 978-1-646051-66-3

Page Count: 360

Publisher: Deep Vellum

Review Posted Online: March 8, 2022

Kirkus Reviews Issue: April 1, 2022

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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