Kurkov gives us a rich cast of endearing characters and a glimpse of life in an old city on the eastern edge of Europe.
A Ukrainian city finds itself under siege from a series of threats straight out of an Alfred Hitchcock movie or an episode of Scooby-Doo, Where Are You!
“You know…some cities only exist so people can dream about going there,” one character tells another in Kurkov’s novel, originally published in Ukraine in 2012. “And sometimes the dreaming is more important than the going.” Now in English, his story paints a dreamlike portrait of Lviv, a major city in western Ukraine, and a strange mystery that dares to be solved. Chief among the sleuths are Taras, a young man who drives patients with kidney stones on cobblestone streets to shake them out; Alik, an old hippie who joins his long-haired brethren every September in Lychakiv Cemetery to memorialize Jimi Hendrix (whose right hand is rumored to be buried there); and Captain Ryabtsev, a former KGB officer who once spied on Alik and wants to be his friend. Such eccentric characters are a Kurkov staple, and so is the surreal situation confronting them: Rumors abound that a prehistoric sea may be rising under Lviv, which would explain a spate of violent seagull attacks and a strong smell of iodine that won’t go away. The search for an explanation forms the backdrop to Taras’ tender romance with Darka, a currency exchange clerk who’s allergic to handling money. Captain Ryabtsev goes on a similar search, and Kurkov’s characterization of the captain, who lost his sense of purpose when the Soviet Union collapsed, strikes a sad note in an otherwise lighthearted tale. Though the novel isn’t overtly political, Ryabtsev’s crisis of identity echoes Ukraine’s more than 20 years into its independence. And when Taras gets home after a kidney stone session and hears the national anthem on the radio—“The glory and freedom of our Ukraine has not yet perished”—reading those words now is much more poignant than it was when Kurkov first wrote them.
Kurkov gives us a rich cast of endearing characters and a glimpse of life in an old city on the eastern edge of Europe.Pub Date: Aug. 13, 2024
ISBN: 9780063354548
Page Count: 416
Publisher: HarperVia
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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