An atmospheric police procedural whose protagonist battles personal tragedy and a tangled system to solve his first case.
Murder in Kyiv in the Bolshevik Revolution’s aftermath.
In the first of a projected series, the prominent Ukrainian novelist Kurkov introduces Samson Kolechko, an unemployed electrical engineer who lands a detective job in 1919, launching him into the investigation of a theft that evolves into the pursuit of a murderer that almost claims his life. After his father is slaughtered in the street by Cossack marauders and his own right ear is severed in the attack, Samson finds himself isolated in his Kyiv flat until some of his space is appropriated by two Red Army soldiers. When he reports their theft of his father’s beloved desk to the local police station, he’s improbably offered a job as a detective to help stem the tide of property crimes in a city that’s roiled by violence in the unsettled aftermath of the Bolshevik Revolution. With relative swiftness but no small amount of personal peril, Samson follows a trail that eventually leads to the discovery of a theft of silver objects, including the eponymous body part, after he survives an ambush and is nearly murdered alongside a soldier who’d been assisting him and a witness in the case. He’s aided in his pursuit of their killer by his friendship with Nadezhda, a young woman who works in Kyiv’s census office and has become the object of Samson’s romantic interest. Kurkov deepens his story with a vivid portrait of Kyiv that emphasizes the city’s “atmosphere of fear and danger” and considerable material deprivation in the wake of Russia’s epochal political change. Samson and his colleagues must function in what amounts to a barter economy that involves frequent nighttime blackouts caused by the theft of the firewood fueling Kyiv’s power plant, along with food and water shortages. It’s a bleak, but fitting, backdrop to one man’s grimly determined quest for justice.
An atmospheric police procedural whose protagonist battles personal tragedy and a tangled system to solve his first case.Pub Date: March 5, 2024
ISBN: 9780063352285
Page Count: 304
Publisher: HarperVia
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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