THE SILVER BONE

Murder in Kyiv in the Bolshevik Revolution’s aftermath.

In the first of a projected series, the prominent Ukrainian novelist Kurkov introduces Samson Kolechko, an unemployed electrical engineer who lands a detective job in 1919, launching him into the investigation of a theft that evolves into the pursuit of a murderer that almost claims his life. After his father is slaughtered in the street by Cossack marauders and his own right ear is severed in the attack, Samson finds himself isolated in his Kyiv flat until some of his space is appropriated by two Red Army soldiers. When he reports their theft of his father’s beloved desk to the local police station, he’s improbably offered a job as a detective to help stem the tide of property crimes in a city that’s roiled by violence in the unsettled aftermath of the Bolshevik Revolution. With relative swiftness but no small amount of personal peril, Samson follows a trail that eventually leads to the discovery of a theft of silver objects, including the eponymous body part, after he survives an ambush and is nearly murdered alongside a soldier who’d been assisting him and a witness in the case. He’s aided in his pursuit of their killer by his friendship with Nadezhda, a young woman who works in Kyiv’s census office and has become the object of Samson’s romantic interest. Kurkov deepens his story with a vivid portrait of Kyiv that emphasizes the city’s “atmosphere of fear and danger” and considerable material deprivation in the wake of Russia’s epochal political change. Samson and his colleagues must function in what amounts to a barter economy that involves frequent nighttime blackouts caused by the theft of the firewood fueling Kyiv’s power plant, along with food and water shortages. It’s a bleak, but fitting, backdrop to one man’s grimly determined quest for justice.

An atmospheric police procedural whose protagonist battles personal tragedy and a tangled system to solve his first case.