A welcome return to post-revolutionary Kyiv for another police procedural featuring fledgling investigator Samson Kolechko.
A novice investigator faces more crimes to solve in the aftermath of the Bolshevik Revolution.
This second novel in a series returns to Kyiv in 1919. Less dramatic and violent than its predecessor, The Silver Bone (2024), it portrays a still uncertain but maturing Samson Kolechko in the early days of his career as an improbable police investigator. This time, alongside defrocked priest Sergius Kholodny, he’s pursuing participants in the illegal trade of meat, a precious commodity in a city plagued by material deprivation, whose inhabitants subsist, at best, on pork fat and pies filled with animal intestines. Under constant pressure from his commander, Nayden, and shadowed by Abyazov, an emissary from the Cheka, the dreaded secret police, Samson pursues his investigation fitfully, guided mainly by information he receives from Moses Briskin, the suspected meat dealer who’s hauled from detention for periodic interrogations. A series of thefts from police offices also divert the investigators for a time. Samson finds himself in a deepening relationship with Nadezhda, employed by the Provincial Bureau of Statistics, who’s imperiled by her involvement in a census of railway workers. They seamlessly, and appealingly, make the transition from roommates to awkward romantic partners. Samson remains haunted by the memory of the Cossack attack that took his father’s life and cost him his right ear, retaining the severed body part in a tin of sweets in his flat. For all the bleakness of its characters’ lives, the novel has some lighter moments, like the training session that instructs Samson and Kholodny on the proper technique for blowing cigarette smoke into the faces of interrogation subjects. Though the stakes here are not as high as in its predecessor, Samson is a companionable protagonist who manages to seem both part of the nascent political system and at a slight remove from it, and this story’s conclusion lays the groundwork for future adventures in his grim, but intriguing, world.
A welcome return to post-revolutionary Kyiv for another police procedural featuring fledgling investigator Samson Kolechko.Pub Date: May 13, 2025
ISBN: 9780063352339
Page Count: 336
Publisher: HarperVia
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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