A Nike Award–winning author travels through Eastern Europe, a place littered with the crumbling relics of communism, with inhabitants abandoned and seemingly frozen in time waiting for their future to begin.
Eschewing major European cities, Stasiuk (Fado, 2009, etc.) traveled east from his native Poland into the nearly deserted yet captivating landscapes of places off the usual tourist route, including Transylvania, Moldova, Slovenia, Romania, Ukraine and Albania. Translated from Polish, the spellbinding language captures the author’s piercing insights with painful clarity; Stasiuk refuses to soften what he sees, hears and smells, providing a dynamic postcard of his travels. Readers will be rapidly ensnared by his recounting of a curiously exotic and complex region of the world—villages where, “[i]f you took away the cars, everything would be as it was a hundred year ago,” where “monotony suggests eternity.” Peppered with haunting landscapes, the terrain contains a history of brutal wars and rapacious dictators. Driving through Slovenia, the author came across a dark valley, the largest unmarked cemetery in a country where “in the summer of 1945, Tito’s Communists murdered in this place, without a trial or witnesses, prisoners who had been handed over to them by armies of the Allies.” In Albania, the author encountered a nation lacking the resources to melt down the 600,000 bunkers built between 1944 and 1985, during the regime of Enver Hoxha. “When the highway turned toward Tirana, the bunkers began,” he writes. “Gray concrete skulls, jutting a meter above the ground, gazed with eyes that were black vertical slits. They looked like corpses buried standing.” Whether writing about gypsies, the ancient bond between beasts and humans or the threadbare currency of Moldova, Stasiuk’s language and sharp observations reveal a discerning intellect. A mesmerizing, not-to-be-missed trek through a little-visited region of the world.
Pub Date: June 16, 2011
ISBN: 978-0-15-101271-8
Page Count: 272
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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