Next book

PLUM

Anderegg’s novel outlives its pages.

A girl outlasts a harrowing childhood and, though falteringly, enjoys control over her life.

This debut novel is told entirely in the second person, a bold move that injects the story with a special sort of hypersensitivity. As the reader grows still and silent—listening for a car in the driveway, clattering in the kitchen, any sign of parents (and thus, trouble)—alongside the narrator, known only as J, Anderegg places them into the role of a child in an abusive, neglectful home, constantly self-policing, seeking meager moments of peace, and hoping to eventually have the chance to shape their own lives. She lays out J’s good and bad days at home with her angry alcoholic father, her exhausted, spiteful mother, and her introverted older brother—her only ally and the recipient of all of their father’s beatings—in the same unflinching prose. Amid the chaos, J generally chooses numbness and painstakingly calculated obedience, even if she does not understand why she must behave a given way. “What is a rule?,” she asks, and how does she know whether it’s just? Initially, it doesn’t really matter to J. If she’s not being yelled at, she’s left alone to dream and plan for her far-off, glimmering future. She copies friends at school and people on TV; she gets a car, a credit card, a college degree. “You do not know this yet,” her wiser, future self narrates, “but you are raising you.” Tired of letting life happen to her, she molds herself into a woman through sheer will. Anderegg delicately considers the strange hollowness of having succeeded in getting out—of having the freedom and tools to find happiness, but nursing a shot nervous system and a crooked view of relationships. Yet, the book insists that nurture (or lack thereof) is not all there is. “This is your nature,” Anderegg writes. “This is who you are and who cannot be destroyed or told to shut up.” It is enlivening to witness J’s steely resolve and to follow her relationship with her brother, which offers a glance into the shocking strength of a shared childhood.

Anderegg’s novel outlives its pages.

Pub Date: April 8, 2025

ISBN: 9798885740463

Page Count: 232

Publisher: Hub City Press

Review Posted Online: March 8, 2025

Kirkus Reviews Issue: April 1, 2025

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 44


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TWICE

Have tissues ready as you read this. A small package will do.

Awards & Accolades

Likes

  • Readers Vote
  • 44


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

Next book

WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

Close Quickview