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SEEKING A SANTA

While nothing new, there is enough to engage celebratory tykes.

Rhyming text and playful art provide a list of all the qualities that make up “a Santa.”

“I’m seeking a Santa and everyone knows / Your eyes must be bright with red cheeks and red nose.” So begins the recounting of Santa’s aspects. Four elves (two white with blond and red hair respectively and two brown-skinned, with brown hair and freckles and black hair, respectively), cold-climate animals (including some evidently lost penguins), and other Christmas-y icons dramatize each of St. Nick’s qualities. The bold images pop with a retro, 1950s-advertising sensibility in poster-paint reds and greens. The rhymes scan with a pleasing rhythm. When Santa is finally shown, it is a very traditional representation of the bespectacled, old white elf in signature suit and hat. The companion title, Seeking a Witch, follows the same formula with various monsters, ghouls, and Halloween critters reciting a green-skinned, purple-haired witch’s attributes. While the reveals on the last double-page spreads are a little anticlimactic (they are both on the small side), these scenes make up for it in enthusiasm.

While nothing new, there is enough to engage celebratory tykes. (Board book. 1-3)

Pub Date: Sept. 20, 2016

ISBN: 978-1-4814-7674-4

Page Count: 30

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 18, 2016

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MERRY CHRISTMAS, LITTLE POOKIE

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer...

Seven years after Little Pookie (2011) first appeared, this popular piglet is finally celebrating Christmas.

“Oh Pookie! Come look! It’s beginning to snow,” says a maternal-looking pig. But where did Pookie go? Past the Christmas tree, to put on a snowsuit of course. Pookie’s ever cheerful mama is willing to go out too. After all, “It’s a magical time to be walking with you.” When she observes, “Our noses are frozen. It’s time to go in,” Pookie protests in typical toddler style: “But I’m not c-c-c-cold!” The next three pages highlight indoor holiday preparations—making paper garlands, baking and decorating cookies. The rhyming text mirrors the spare illustrations. A spidery type that emulates handwriting makes it clear when Pookie is speaking. Then “the doorbell is ringing. / Our family and friends have arrived for the singing.” The second-to-last spread shows Pookie, mama, and six other pigs—and Boynton’s requisite chicken—singing (“Con brio”), “MER-RY CHRIST-MAS! MER-RY CHRIST-MAS! AND A HAP-PY NEW YEAR!” Conveniently, this text is placed beneath the musical notation. Finally Pookie hangs a stocking and goes off to bed without any fuss, anticipating presents on Christmas morning.

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer or an ideal Christmas Eve read to share with other little piggies. (Board book. 18 mos.-3)

Pub Date: Sept. 18, 2018

ISBN: 978-1-5344-3724-1

Page Count: 18

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE ITSY BITSY BUNNY

Leave the hopping to Peter Cottontail and sing the original song instead.

An Easter-themed board-book parody of the traditional nursery rhyme.

Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.

Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4814-5621-0

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: July 1, 2016

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