A great way to spark real-world conversations with other girls “like me." (Picture book. 4-8)
A book to inspire the next diverse generation of girls to keep working toward breaking glass ceilings no matter how often the world tells them, “A girl like you needs to stop.”
Johnson and Crews are seasoned talents whose collaboration here shines. Johnson’s spare words of encouragement are in harmony with Crews’ large double-page spreads blending photos of black and brown girls into a collaged dreamworld. Each of three girls is a star in her own dream only to hear people shouting in the background that what she wants simply isn’t possible. The illustrations show the three meeting on an urban playground and then encouraging other neighborhood girls of many races to join them in standing up to the doubters. There is much that Johnson doesn’t say that Crews uses pictures to illustrate. Adult readers may need to help children understand what is taking place in the story, at the heart of which is the power of play. Each girl is seen using her imagination to make her reality “better than the dream.” Illustrating this, a dozen girls in ebullient dress-up pose on the beach, all unapologetically themselves. A final spread allows each depicted girl to tell readers a little bit about herself—a sweet touch that drives home this reminder that girls should be supported in exploring their limitless imaginations, regardless of the naysayers.
A great way to spark real-world conversations with other girls “like me." (Picture book. 4-8)Pub Date: Feb. 4, 2020
ISBN: 978-1-5415-5777-2
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Girl science power and new friendships make for a good combination.
In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.
“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.
Girl science power and new friendships make for a good combination. (Picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-0-8075-4982-7
Page Count: 37
Publisher: Whitman
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
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