by Angela McAllister ; illustrated by Christopher Corr ‧ RELEASE DATE: Oct. 6, 2016
Quibbles aside, this attractive anthology will prove useful.
A seasonal collection of world folk stories.
Arranged according to the calendar, the selected stories sometimes have tangential connections to the holidays or observances denoted, linked only by culture. With all the stories about Chinese New Year, for instance, why choose an unrelated Chinese folk tale like “King of the Forest,” which does not even feature the animals of the Chinese zodiac? However, most stories have a thematic relationship, like the Indian “Rama and Sita” for Diwali and “The Legend of the Poinsettias” from Mexico for Christmas. Some stories are quite unusual (and sophisticated) such as the Inuit “Skeleton Woman” for World Music Day in June. Although the author includes information that Ramadan is the ninth Islamic month, the holiday is listed in June. Many will not understand that the lunar Islamic calendar means that the holiday can occur in any month in a 33-year cycle. This is a problem with other religious lunar calendars as well. The relatively small font and double-column text on some pages may be off-putting to children, but this is probably a book that adults will read aloud from. Corr’s stylized gouache illustrations in vibrant colors include full-bleed pages and smaller vignettes. Short descriptions of the holidays from many cultures and religions, as well as international commemorations, can be found at the end of the volume, but unfortunately, no story sources are included.
Quibbles aside, this attractive anthology will prove useful. (Folk tales. 7-11)Pub Date: Oct. 6, 2016
ISBN: 978-1-84780-868-4
Page Count: 128
Publisher: Frances Lincoln
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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