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MAGIC LITTLE WORDS

Beautiful phrasing to be sure, but with etiquette lessons, perhaps it is better to show in action and circumstance rather...

A lyrical attempt to explain the larger concepts behind 11 “magic words” of good manners.

Children are taught at a young age to say certain words or phrases such as “please” and “thank you,” but they do not often authentically feel or even understand what they mean. With the laudable goal of helping to demystify that particular path of childhood development, Delaunois pairs common polite phrases with simple explanations—some more abstract than others. “Good morning,” for instance, is paired with “I smile at a brand new day.” “I’m sorry” is paired with “I’m so sad that I hurt you.” “I love you,” by contrast, is described as “The most beautiful song for two.” To a literal child, songs and love need not go hand in hand. “Please” is the most perplexing: “A magic key that opens most doors.” That “most” is highly problematic—even children who understand the metaphor may find themselves expecting whatever they want with a simple “please.” Gauthier’s collage illustrations more than make up for any text quibbles found here and there. The seemingly hastily sketched and quickly snipped-out characters have a charming sense of impermanence, as if a gust of wind could wisp them away at any moment.

Beautiful phrasing to be sure, but with etiquette lessons, perhaps it is better to show in action and circumstance rather than to tell. (Picture book. 3-6)

Pub Date: April 15, 2015

ISBN: 978-1-77147-106-0

Page Count: 24

Publisher: Owlkids Books

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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