by Ani Di Franco ‧ RELEASE DATE: May 7, 2019
A refreshingly frank and free-spirited memoir from a feminist icon.
The Grammy-winning artist recounts the eventful story of her life as a musician and feminist political activist.
The daughter of an architect mother and an engineer father, DiFranco grew up in 1970s Buffalo as a cheerfully independent misfit who loved horses and poetry. After her brother was hospitalized for psychiatric issues, she shifted her attention to dancing and music. She learned to play guitar from a colorful public school artist-in-residence named Michael and came to realize that music “brought me deeper and deeper into the world” in a way that dancing did not. When her mother left the family, DiFranco followed her but then left to strike out on her own as an emancipated teenager, sleeping in bus stations, gigging with Michael, and working to finish high school early. Then she moved to New York and, at age 18, started selling tapes of what became her eponymous debut album. DiFranco also began a long, complex relationship with Scot Fisher, who helped her manage her newly founded label, Righteous Babe Records. In between playing clubs and festivals at home and abroad, DiFranco took classes at the New School for Social Research, discovered feminism, and began experimenting with bisexual polyamory. Her commitment to left-wing political activism also blossomed, and she engaged in protests against the first Gulf War and American intervention in El Salvador. By the mid-1990s, DiFranco moved out of the hardscrabble underground scene and into the mainstream, which now recognized her as a major talent and successful entrepreneur. Marriage to her sound engineer and tours around the world followed. Yet in the midst of triumph, she still felt “utterly alone.” Like post–9/11 America, she would endure several “years of flailing” along an uncertain path. Interspersed throughout with feminist/political musings and anecdotes about such music legends as Pete Seeger, Prince, and Bob Dylan, DiFranco’s tale celebrates both independent music and an unconventional life daringly lived.
A refreshingly frank and free-spirited memoir from a feminist icon.Pub Date: May 7, 2019
ISBN: 978-0-7352-2517-6
Page Count: 304
Publisher: Viking
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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