For caregivers of extremely extroverted kids, Carmen’s ambitions will feel very familiar; for kid readers, Carmen and...
An attention-seeking young star of imaginative stage shows—all produced at home for her Latinx family members—learns that sharing the spotlight can be equally fulfilling.
Carmen is a whirlwind of many talents, a “one-girl sensación” who acts, sings, dances, and even costume-designs musicals every night for her supportive but slightly exhausted parents and star-struck little brother. When her parents call for an intermission on all the show-business activity, Carmen sulks. But when she sees her brother, Eduardo, previously cast in nonspeaking roles (“You can be a rock”), has his own imaginative ideas, Carmen decides that her productions can be even better as an ensemble. Smartly, the narrative depicts all Carmen’s activities as creative work; it’s not just about the performance, but also building and rehearsing. And her parents (dark-skinned mom and light-skinned dad) accommodate her dreams while also realistically hoping to enforce bedtime and make sure Eduardo doesn’t get left in the shadows. The art seems to leap off the page, turning Carmen’s stagecraft into magic, whether it’s colorful pirate seascapes or robot rock operas. The mix of detail between home decoration and wildly over-the-top costumes and props is well-balanced and rich.
For caregivers of extremely extroverted kids, Carmen’s ambitions will feel very familiar; for kid readers, Carmen and Eduardo’s very fun activities might inspire some musical productions at home. (Picture book. 4-8)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2321-6
Page Count: 32
Publisher: Abrams
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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