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MOONBEAMS

A LULLABY OF THE PHASES OF THE MOON

A mixed bag: disappointing text but stunning illustrations.

Based loosely on the lullaby that begins, “I see the moon, and the moon sees me,” this book takes young readers on a journey around the world while following the phases of the moon.

From the plains of Mongolia to the Taj Mahal in India to a ship on an unnamed sea, the rhyming text simultaneously describes the status of the moon and the people and places it shines over. The words are a dialogue, alternating between a child asking the moon a question and the moon’s answers. Each call-and-response pairing is presented on a separate double-page spread and is accompanied by illustrations that show the moon phase described. While informative, the text is often clunky and lacks a logical flow. For example, it is unclear why the author mentions specific destinations in Europe and Asia and leaves other locations up to readers’ imaginations. Furthermore, the presentation can be confusing for a picture-book audience. At one point, for instance, the text mentions that what appears to be a half-moon is actually a quarter moon, but this mystifying statement is explained only in the backmatter. Where the book truly shines is in its visuals: Han masterfully uses a rich, dark palette to create pictures full of depth and life; in particular, the book’s two wordless spreads use light brilliantly. The illustrations include characters with a variety of hair textures and skin tones. The backmatter includes a general note on the moon, a glossary, and a description of the phases with accompanying illustrations; all is well written and fascinating for young readers.

A mixed bag: disappointing text but stunning illustrations. (Picture book. 3-6 )

Pub Date: June 23, 2020

ISBN: 978-1-4998-1033-2

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9780593563168

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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