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MOONBEAMS

A LULLABY OF THE PHASES OF THE MOON

A mixed bag: disappointing text but stunning illustrations.

Based loosely on the lullaby that begins, “I see the moon, and the moon sees me,” this book takes young readers on a journey around the world while following the phases of the moon.

From the plains of Mongolia to the Taj Mahal in India to a ship on an unnamed sea, the rhyming text simultaneously describes the status of the moon and the people and places it shines over. The words are a dialogue, alternating between a child asking the moon a question and the moon’s answers. Each call-and-response pairing is presented on a separate double-page spread and is accompanied by illustrations that show the moon phase described. While informative, the text is often clunky and lacks a logical flow. For example, it is unclear why the author mentions specific destinations in Europe and Asia and leaves other locations up to readers’ imaginations. Furthermore, the presentation can be confusing for a picture-book audience. At one point, for instance, the text mentions that what appears to be a half-moon is actually a quarter moon, but this mystifying statement is explained only in the backmatter. Where the book truly shines is in its visuals: Han masterfully uses a rich, dark palette to create pictures full of depth and life; in particular, the book’s two wordless spreads use light brilliantly. The illustrations include characters with a variety of hair textures and skin tones. The backmatter includes a general note on the moon, a glossary, and a description of the phases with accompanying illustrations; all is well written and fascinating for young readers.

A mixed bag: disappointing text but stunning illustrations. (Picture book. 3-6 )

Pub Date: June 23, 2020

ISBN: 978-1-4998-1033-2

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9780593563168

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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HAPPY ST. PATRICK'S DAY FROM THE CRAYONS

A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.

A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).

With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)

A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)

Pub Date: Jan. 2, 2024

ISBN: 9780593624333

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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