A mixed bag: disappointing text but stunning illustrations.
Based loosely on the lullaby that begins, “I see the moon, and the moon sees me,” this book takes young readers on a journey around the world while following the phases of the moon.
From the plains of Mongolia to the Taj Mahal in India to a ship on an unnamed sea, the rhyming text simultaneously describes the status of the moon and the people and places it shines over. The words are a dialogue, alternating between a child asking the moon a question and the moon’s answers. Each call-and-response pairing is presented on a separate double-page spread and is accompanied by illustrations that show the moon phase described. While informative, the text is often clunky and lacks a logical flow. For example, it is unclear why the author mentions specific destinations in Europe and Asia and leaves other locations up to readers’ imaginations. Furthermore, the presentation can be confusing for a picture-book audience. At one point, for instance, the text mentions that what appears to be a half-moon is actually a quarter moon, but this mystifying statement is explained only in the backmatter. Where the book truly shines is in its visuals: Han masterfully uses a rich, dark palette to create pictures full of depth and life; in particular, the book’s two wordless spreads use light brilliantly. The illustrations include characters with a variety of hair textures and skin tones. The backmatter includes a general note on the moon, a glossary, and a description of the phases with accompanying illustrations; all is well written and fascinating for young readers.
A mixed bag: disappointing text but stunning illustrations. (Picture book. 3-6 )Pub Date: June 23, 2020
ISBN: 978-1-4998-1033-2
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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