An important, empathetic, and well-told immigration story that strikes a hopeful note of resilience.
A well-researched, deeply affecting picture book examines deportation and its effects on communities and immigrant families.
Carmen, a young girl, and her mother were born in the United States, but her father, a magician, is from Mexico and doesn't have documentation to stay in the U.S. Mamá asks Carmen to keep the situation a secret—“I don't want people to look down on us”—but when word spreads at Carmen’s school, a collection is taken up to help her family pay for an immigration lawyer. Wisely, the book broadens the narrative scope to briefly acknowledge other family histories involving displacement—readers learn about Irish immigration, Syrian refugees, and enslaved Africans. Though the story never wallows in pain—even a visit to Papi's detention center is portrayed warmly as he declares “I'm not embarrassed. We’ve built a beautiful life”—it doesn't shy away from the realities of immigrant struggle, as evinced by the open ending. The comprehensive backmatter includes a glossary of Spanish terms used in the story, immigration data, a discussion guide for parents and educators, tips for cultural sensitivity when interacting with immigrant families, and more. Papi has straight hair and medium brown skin while Mamá and Carmen have comparatively darker skin and read as Afro-Latina. Background characters, one of whom uses a wheelchair, are diverse in age and skin tone. The simultaneously publishing Spanish edition is a solid translation and identical in content. (This book was reviewed digitally.)
An important, empathetic, and well-told immigration story that strikes a hopeful note of resilience. (glossary of immigration terms, illustrator’s note, further reading, Spanish edition) (Picture book. 4-8)Pub Date: May 17, 2022
ISBN: 978-1-4338-3944-3
Page Count: 40
Publisher: Magination/American Psychological Association
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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