A revelatory account of not-well-known assaults on the rights of an Indigenous group.
A traditional culture deals with threats from inside and outside its tightknit community.
Kick-started by the disturbing poaching and slaughter of a reindeer that was part of a Sámi family's herd in remote northern Sweden, Laestadius’ saga details the inequities faced by the contemporary Indigenous Sámi population. Elsa, a 9-year-old to whom the murdered reindeer had been entrusted, is threatened by the hunter and scared into not revealing his identity to her family or authorities. Previous reindeer slaughters had gone unpursued by local police since this sort of crime against the Sámi (and their way of life) was considered mere theft. Frustrated by the seeming passivity with which the group accepts the situation, Elsa sets upon her own path as she grows into adulthood: She questions traditional gender roles as well as the failure of local police to apprehend the hunter who is torturing and killing her community’s reindeer. The legacies of long-held social prejudices against the Indigenous group—racism, economic insecurity, and the traumas borne by the community’s elders who had been removed from the group in childhood and sent to “nomad schools”—continue to haunt Sámi life with devastating effects. Elsa must reconcile her own quest for justice with the need for some in the group to just survive. Looming over the tale, which unfolds over the course of more than a decade, is the specter of climate change and its impacts on the traditional Sámi herding methods. Laestadius, who is Sámi and of Tornedalian descent, indicates in her acknowledgements that the novel is based upon actual occurrences in Sápmi territory. Willson-Broyles’ translation from Swedish is matter-of-fact and incorporates many phrases and words from the Sámi language.
A revelatory account of not-well-known assaults on the rights of an Indigenous group.Pub Date: Jan. 31, 2023
ISBN: 9781668007167
Page Count: 400
Publisher: Scribner
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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