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KITCHEN YARNS

NOTES ON LIFE, LOVE, AND FOOD

A full plate of heart and hearty eats.

In this culinary confessional from the acclaimed author, it’s less about the kitchen and more about the yarns.

Writing a compelling food memoir is a delicate act; the recipes have to live up to the memories they evoke. In the hands of prolific author Hood (Morningstar: Growing Up with Books, 2017, etc.), the stories themselves are the main dish—but the food still has to be delicious. “I grew up eating. A lot,” she writes at the beginning. “As the great food writer M.F.K. Fisher said, ‘First we eat, then we do everything else.’ That describes my childhood home.” From the kitchen of her Italian grandmother Gogo through her career as a flight attendant, a seemingly perfect American suburban existence, the death of a child, divorce, and fairy tale–like second chance at true romance, Hood recalls each moment through the meals she was preparing, recipes both great and, well, not-so-great. The good ones include her family’s traditional meatballs: “The secret to [the] meatballs is how you roll them, a skill my father could never master. Neither could I.” The bad ones include her father’s scrambled eggs made with sugar. Then there are the heartbreaking ones: the “doctored” ramen Hood makes on the anniversary of her 5-year-old daughter Gracie’s death (which she movingly chronicled in her 2008 book, Comfort). “It still hits me when I see seckel pears in the grocery store,” she writes. “Little blonde girls in glasses. Hear the Beatles singing ‘Eight Days a Week.’ The sharp stab of a memory rises to the surface out of nowhere.” But her ramen, featuring a poached egg, butter, and American cheese, helps. While some of the stories feel redundant, with repeated bits of history rephrased, when Hood is focused on her prose, it’s like a classic recipe—all the flavors sing.

A full plate of heart and hearty eats.

Pub Date: Dec. 4, 2018

ISBN: 978-0-393-24950-7

Page Count: 256

Publisher: Norton

Review Posted Online: Sept. 11, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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