A charming but hardly surprising homage to the power of books.
A novelist chronicles her life through the books that shaped her.
Like most writers, novelist Hood (The Book that Matters Most, 2016, etc.) loves books. An avid reader since the age of 4, she grew up in a small Rhode Island town in an Italian immigrant family that did not own books. Her school did not have a library, but in second grade, she discovered Little Women and was entranced. Encouraged by her teacher, she was working her way through fourth-grade books by the time the school year was over. Books, writes Hood, gave her “an escape from my lonely school days, where girls seemed to speak a language I didn’t understand,” and inspired “a curiosity about the world and about people.” Although her mother thought that buying books was a waste of money, she saved her allowance for the Nancy Drew series and was elated when a Waldenbooks opened up in a mall nearby. The right book seemed to come at just the right time: when she was 15, for example, Hood first read Herman Wouk’s Marjorie Morningstar and felt that the author “had somehow climbed into my brain and emerged with my story.” Although she only once had met anyone Jewish, she completely identified with Marjorie: “Slightly spoiled. Boy crazy. Curious about sex. Terrified of sex. Raised by prudish, old-school parents.” In The Bell Jar, Hood discovered a girl who wanted to be a writer, just as the author did, and who “expressed the very things I worried over.” Discouraged by teachers and family, though, Hood became a flight attendant, working on a novel in hotels on layovers. The author’s literary taste is eclectic; Victor Hugo, Tolstoy, Dickens, and Frost as well as Irving Wallace, Jacqueline Susann, Harold Robbins, and Rod McKuen are among the writers who invited her into a “big, beautiful world.” We read, she writes, “to know the world and ourselves better. To find our place in that world.”
A charming but hardly surprising homage to the power of books.Pub Date: Aug. 1, 2017
ISBN: 978-0-393-25481-5
Page Count: 160
Publisher: Norton
Review Posted Online: April 22, 2017
Kirkus Reviews Issue: May 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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