Lacking some of the charm of the longer books, this introduction to the world of the Doll People will still cultivate...
The beloved Doll People series of novels for middle graders extends to a younger audience with this Christmas story.
The Doll family of eight tiny, old-fashioned dolls belongs to a girl named Kate, who has custody of the family-heirloom dolls and their furnished Victorian dollhouse. Her younger sister, Nora, has her own modern, plastic dollhouse with a family of five plastic dolls, the Funcrafts. The dolls move and talk at night when the humans are asleep, and the daughters of the two families, Annabelle Doll and Tiffany Funcraft, are best friends. Annabelle is upset when Kate breaks the angel topper for the tiny dollhouse Christmas tree; this will upset her plans for a traditional Christmas. Further complicating things, Kate and Nora take all the dolls to their own living room and dress them as figures for their family Nativity scene, and minor plot difficulties ensue. Christmas morning brings filled stockings for the doll children, with a new star ornament for the dollhouse Christmas tree. Full-color illustrations and a large trim size create an overall contemporary milieu, in contrast to the black-and-white, nostalgic illustrations in the Doll People chapter books. All the human and doll characters are white; Annabelle Doll’s blue-green hair may well provoke puzzlement.
Lacking some of the charm of the longer books, this introduction to the world of the Doll People will still cultivate younger fans. (Picture book. 4-7)Pub Date: Sept. 13, 2016
ISBN: 978-1-4847-2339-5
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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