Napolitano’s characters can break your heart as they work to mend their own.
Who do we deserve to love and be loved by?
Drawn into the orbit of a tightknit family upon falling for Julia, the eldest of the four Padavano sisters, William Waters experiences the kind of family solidarity, affection, and sense of belonging he never had with his own dysfunctional parents. William developed an (initially) effective coping strategy during his lonely childhood and devotes his energies toward succeeding in the only place he feels comfortable: the basketball court. College sweethearts, Julia and William marry and begin a life together directed mostly by Julia’s wishes for stability and status; the plan and relationship are derailed by William’s gradual decline into a crippling depression. Julia and William divorce, and William distances himself from their infant daughter, Alice, too. Relationships between and among William and all of the Padavanos rupture and realign over the ensuing decades as Napolitano spins a saga of familial love, deception, and hope for healing while adeptly highlighting each family member’s unique position in the narrative. Each of the Padavano girls is finely described—there's Julia, who's straightforward and driven; Sylvie, dreamy and romantic; and twins Cecelia (artistic) and Emeline (the sensitive moral compass of the group)—and it is entirely plausible that the girls envision themselves from time to time as the March sisters from Little Women. (Rounding out that parallel is the presence of a dreamy, poetic father and a hardworking, long-suffering mother.) More subtly, the influence of Walt Whitman is felt throughout the book, from epigraph to end, as characters come to terms with their roles in an evolving universe. As in Napolitano’s recent Dear Edward (2020), heartbreaking circumstances shatter the lives of relatable human characters who are unprepared for the task of building a meaningful life.
Napolitano’s characters can break your heart as they work to mend their own.Pub Date: March 14, 2023
ISBN: 9780593243722
Page Count: 400
Publisher: Dial Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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