Packer's debut collection of ten stories previously published in the New Yorker, Ploughshares, Prize Stories 1992: The O. Henry Awards, etc., reveals a sharp eye for the myriad ways humans deceive themselves, though her humor can be smothered by her 30- ish, middle-class protagonists' very prosaic lives. In ``Mendocino,'' a single woman visiting her brother and his irritating Northern California girlfriend is forced to confront the end of their shared childhood and the beginning of her sibling's life as a man. ``Nerves'' shows a New Yorker transplanted to San Francisco licking his wounds after his wife abandons him for her boss. In ``Babies,'' an unmarried advertising copywriter's growing case of baby lust overwhelms her professional and personal lives. The narrator of ``Horse'' recalls her attempt the year her father died to transform herself from a brainy, introverted ninth-grader into a popular pompom girl. The characters in these and Packer's other six stories tend toward the earnest and serious, although their attention to routine often blinds them to the subterranean feelings that ultimately redirect their lives. In her strongest pieces—including ``Mendocino,'' ``Horse,'' and ``The Glass House,'' in which a newlywed obsesses over the suicide of her home's previous owner—Packer's clear, steady prose peels back surface layers to reveal the mechanisms behind pain and sadness. Her few weaker tales—``Ninety,'' a chronicle of the traditional outdoor birthday bash thrown for an elderly man by his family; and ``Hightops,'' in which a young drifter witnesses the dissolution of his friends' marriage—never manage to reveal the human emotions underneath inconsequential conversation. Still, often arresting, in spite of the bland surroundings.
Pub Date: July 1, 1994
ISBN: 0-8118-0629-4
Page Count: 192
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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